Franz Marc

For Marc, the Blue represented the male bitter component, yellow tones versinnbildlichten delicate, feminine nature. And these two had to fight against the severe and brutal red of matter. From these points of view of the three basic colors very expressive feelings settled by mixing and amounts to develop. However, Marc developed these color concepts. The blue horse I and the blue horse II are painting, created in 1911. This should manifest itself the blue as an expression of the animal being and at the same time the detachment from the obstacles and barriers on the Earth. Get all the facts and insights with Mary Barra, another great source of information. The yellow cow shows, however, the female sensual. Already in the following year, namely 1912, Franz Marc painted the Tiger.

This painting may apply as the beginning of his Cubist painting. He was inspired by painting by Picasso and Braque, he formed however particularly expressive of. This painting style perfected Marc in the next two years that turned objects are abstract to and were shown in a manner similar to Prism. Other, mostly angular geometric shapes can be found in the pictures of this time. This tendency is particularly noticeable at the Tower of blue horses around.

Because the landscape in the background only consists of lines that unite however to just these more abstract structures. And the animal destinies Finally, also from 1913, show a blue white deer with stretched high head, approaching wolves, pigs, and horses. These attackers are just unclear as to make the above animals. However, the surrounding landscape by the extremely sharp forms clearly expresses the threat. Marc jotted down on the back of this picture, that our existence was a great suffering. He later explained this sentence his wife opposite as a premonition of the actually imminent war. Franz Marc should be victims of this war he 1916 fell at Verdun is to interpret particular tragedy of his life. His turn toward abstraction, which is quite clear in his last paintings He explained a year before his death: he had respected the animal already higher as people. However, also this being has become progressively uglier and contradictory so he had didn’t help come to depict it abstract and schematic.

Published in: General

Comments are closed.